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STOP STARING AT THE SHADOWS

Serving as $UICIDEBOY$‘ Ninth Mixtape and 45th project, Stop Staring at the Shadows features 12 tracks with no featuring artists, similar to the iconic I Want to Die in New Orleans.

Announced on the 19th of December 2019 on both Ruby and $crim’s Twitter

After speculation that on the 19th an album by the name of A Man Rose From the Dead was to be released, instead it was the date that they would announce their latest project.

With the release of two tracks Scope Set and Fuck Your Culture on the 20th of December, they were announced as “filler tracks” on Twitter.

After releasing throughout the world once the date hit 14th February 2020, the Mixtape instantly began gaining major traction.

Released 13 February 2020
Источник: ovk.to/playlist-7349_1901
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LIVE FAST, DIE WHENEVER

Live Fast, Die Whenever is the first collaboration EP between $UICIDEBOY$ and Travis Barker, released on May 24, 2019.

The project has been teased on the artists’ Instagram accounts and on Joe Rogan’s podcast with Travis Barker in early 2019, then it has been officially announced on May 4, 2019, on artists' social accounts.

Released 22 May 2019
Источник: ovk.to/playlist-7349_1900
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I WANT TO DIE IN NEW ORLEANS

The iconic I Want To Die In New Orleans is $UICIDEBOY$‘ debut album and 43rd project. This record particularly makes more use of choruses and ad-libs. It follows the boys making references to their hometown of New Orleans; multiple songs on the album feature an outro related to N.O. at the end of the track, segueing into the next.

The album was originally going to be named “I Don’t Want To Die In New Orleans”, the name change came as a shock when the boys posted this to their respective social media:

"We started recording this album in the beginning of 2017. Initially we wanted to write about our experiences on the road and express how our lives had become slightly more extravagant. When the original release date for the album approached, we realized that the album didn't
capture that chapter of our lives correctly.
After traveling the globe on two back back sold out world tours amassing a fortune, spending an insane amount of money on drugs, losing friends, making enemies and witnessing this scene that we helped create turn into what it is now, we have decided that none of this fame or money will ever make us happy.
For a second there we thought it would.
Therefore, we are changing the album title to."

Along with the switch of the name, they also announced around the same time that there would be no features on the album, tweeting,

0 features
0 collabs
no one on this mortal plane is worthy

Along with the album came a vinyl press, a CD copy and casette of every track, fit with the album artwork. However, the album was still uploaded to the boys respective streaming platform discographies and uploaded for free-listening on their Soundcloud.

The album also met with a tour, along with pop-up shops selling merchandise of which was also sold separately online.

Released 6 September 2018
Источник: ovk.to/playlist-7349_1899
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KILL YOURSELF PART XIX: THE DEEP END SAGA

The oceanic KILL YOURSELF Part XIX: The Deep End Saga scores part 19 of the “Kill Yourself” series, where Ruby and $crim take the listener into the true abyss of their mind; exploring their loneliness, resolute and inevitable defeat, and grievously detailing life growing up in an impoverished area.

It was released on September 11th, 2017, along with parts 16-20 of the “Kill Yourself” sagas released that day.

The title plays on the idiom “off in the deep end”, meaning to become crazy and irrational; the boys use this to denote how this EP is the “deep end”—where the two record the true extent of their irrational behavior and ever-deteriorating mental state.

It may also draw upon the etymology of being at the deep end of a pool (from the slope in a swimming pool). Shallow at one side, for beginners, and a deeper section designed for more experienced swimmers. The boys may be using this derivation to emphasize how bottomless their lives are, yet they’re above everyone else. An “oceanic” and pelagic insouciance is used throughout the EP to assist this.

Released 10 September 2017
Источник: ovk.to/playlist-7349_1898
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KILL YOURSELF PART XVIII: THE FALL OF IDOLS SAGA

On the profoundly anti-religious “Part XVIII: The Fall of Idols $aga” the Boy$‘ liken themselves to God, make metaphorical Bible references. Petrou is very open about his antipathy for religion. In an interview with the “No Jumper” podcast, he said:

— I don’t believe in God, even since a young age, I always thought it was a load of bullshit.

Released 10 September 2017
Источник: ovk.to/playlist-7349_1897
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KILL YOURSELF PART XVII: THE SUBURBAN SACRIFICE SAGA

G*59

Released 10 September 2017
Источник: ovk.to/playlist-7349_1896
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KILL YOURSELF PART XVI: THE FADED STAINS SAGA

The $uicideBoy$ talk about what their lives supposedly looks like & problems they see, which consists a lot of abhor activities with false morals. They also talk about manifested ideas by society & how they will do things their own way if that’s what it’s really like.

Released 10 September 2017
Источник: ovk.to/playlist-7349_1895
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KILL YOURSELF PART XX: THE INFINITY SAGA

The dark and contemporary Infinity Saga is Part 20 of the “Kill Yourself” series, and just like most others sagas, it features three tracks.

It was released on September 11, 2017, coinciding with the date of the September 11 attacks, commonly known as 9/11. This wasn’t coincidental, Ruby tweeted that the batch of 16-20 Saga’s was to be released on this day.

Ruby has seemingly referenced this terrorist attack before, for instance in “Novus Ordo Seclorum”,

Fuck the state and the public
I wanna see tall skyscrapers crumbling
We all meet the shovel don’t have to act humble…

Released 8 September 2017
Источник: ovk.to/playlist-7349_1894
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KILL YOURSELF PART XV: THE COAST OF ASHES SAGA

G*59

Released 25 May 2017
Источник: ovk.to/playlist-7349_1878
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KILL YOURSELF PART XIV: THE VULTURE SAGA

The fourteenth installment of the Boy$’s Kill Yourself series of EPs, The Vulture Saga doesn’t necessarily follow a unique theme characteristic of most of the other Sagas. The cover art is a section of a portrait by Vasily Vereshchagin called The Apotheosis of War, an anti-war piece created in the late nineteenth century. The Boy$ frequently use war themes in their music and aesthetic, often referring to their native New Orleans as a Vietnam-like war zone, as well as the employment of older art for their discography covers. The Boy$ could be referring to having met the apotheosis of their career, yet remaining unsatisfied, still being eaten away and tormented by their personal struggles. Thus, they are left for the vultures to consume, the spoils of war for those intent on tearing them down.

Released 25 May 2017
Источник: ovk.to/playlist-7349_1877
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